Hey there! I've been a bit inactive on this board, but I saw your story and wanted to give you my thoughts, if you'll have them.
The idea of the story is very interesting, and I liked how throughout the two chapters here, this copy-cat killing atmosphere is taken for granted by the characters; Cierra's thought processes are definitely someone who is scared, but also dealing with something not completely out-of-the-blue. I'm curious to see how you'll further develop this world, and show us what other ways we'll see characters deal with this—how teachers are preparing other than having weapons in the classroom, how students feel about it, etc. I'm also curious about Cliff's motivations and what he hopes to gain from this. Color me intrigued!
I also enjoyed Cierra's POV; the short, questioning thoughts worked very well in the action. For example, "The lamp? No, too heavy, she thought. The chair? Too impractical." Then, when she looks at the cabinet, there's already a bit of a build-up, and we can tell it's a gun without you spelling it out right away. It was well-done. Cierra's word choice too, like 'wannabes,' and 'didn't even have a gun, "just" a knife' gave a sense into not only her character, but how almost business-as-usual this is—characterization for your world!
Something I would consider would be to add some more sensory details. For example, referring to the gun: "It shined like a million stars. She picked up one bullet and loaded it in the cold, smooth chamber." This is very good! It's vivid and sets the action very well. The next part, "[...] it felt like he would knock the door down," however, could be strengthened. Try not to use the word 'felt;' instead, expand on the previous 'the knocking on the door was getting more rapid.' Try likening the sound or speed to something large and violent; then the image would be even stronger in the reader's mind. Similarly, when Cierra fires the gun, consider adding a detail about the action; while we have a way to envision the killer running—"like a marathon"—Cierra's a little harder to envision. Another example would be that the sounds were 'panicked'—what sounds were they? Give an example.
Gabriel's sad but not very surprised reaction to a body was great. Like I wrote above, it really cements the "business as usual" feeling in the story. However, I would like to see him ponder this more; does he know who that was? How did he get there? Part of this might be the character's confusion, so he doesn't have to think straight right away, but asking these questions would flesh out the scene.
The last thing I'll add is that Cierra calls Gabriel to ask how he's doing, but she doesn't even mention the incident until the third line of the conversation, at which point Gabriel sounds panicked, but Cierra is perfectly calm. Is this usual for her? Has she seen this kind of situation often enough to warrant that she's fine with it, but her husband has not? It's an interesting dynamic, but I expected a bit of a reverse to it—since Cliff is a professor, I thought he would be more nonchalant about it, whereas Cierra, an aide who is not a likely target, would be more frightened.
Sorry for the super long post. I really like this and hope you'll post more for us to see! As I've said above, your world intrigues me and I hope to learn more about it. Hey there! I've been a bit inactive on this board, but I saw your story and wanted to give you my thoughts, if you'll have them.
The idea of the story is very interesting, and I liked how throughout the two chapters here, this copy-cat killing atmosphere is taken for granted by the characters; Cierra's thought processes are definitely someone who is scared, but also dealing with something not completely out-of-the-blue. I'm curious to see how you'll further develop this world, and show us what other ways we'll see characters deal with this—how teachers are preparing other than having weapons in the classroom, how students feel about it, etc. I'm also curious about Cliff's motivations and what he hopes to gain from this. Color me intrigued!
I also enjoyed Cierra's POV; the short, questioning thoughts worked very well in the action. For example, "The lamp? No, too heavy, she thought. The chair? Too impractical." Then, when she looks at the cabinet, there's already a bit of a build-up, and we can tell it's a gun without you spelling it out right away. It was well-done. Cierra's word choice too, like 'wannabes,' and 'didn't even have a gun, "just" a knife' gave a sense into not only her character, but how almost business-as-usual this is—characterization for your world!
Something I would consider would be to add some more sensory details. For example, referring to the gun: "It shined like a million stars. She picked up one bullet and loaded it in the cold, smooth chamber." This is very good! It's vivid and sets the action very well. The next part, "[...] it felt like he would knock the door down," however, could be strengthened. Try not to use the word 'felt;' instead, expand on the previous 'the knocking on the door was getting more rapid.' Try likening the sound or speed to something large and violent; then the image would be even stronger in the reader's mind. Similarly, when Cierra fires the gun, consider adding a detail about the action; while we have a way to envision the killer running—"like a marathon"—Cierra's a little harder to envision. Another example would be that the sounds were 'panicked'—what sounds were they? Give an example.
Gabriel's sad but not very surprised reaction to a body was great. Like I wrote above, it really cements the "business as usual" feeling in the story. However, I would like to see him ponder this more; does he know who that was? How did he get there? Part of this might be the character's confusion, so he doesn't have to think straight right away, but asking these questions would flesh out the scene.
The last thing I'll add is that Cierra calls Gabriel to ask how he's doing, but she doesn't even mention the incident until the third line of the conversation, at which point Gabriel sounds panicked, but Cierra is perfectly calm. Is this usual for her? Has she seen this kind of situation often enough to warrant that she's fine with it, but her husband has not? It's an interesting dynamic, but I expected a bit of a reverse to it—since Cliff is a professor, I thought he would be more nonchalant about it, whereas Cierra, an aide who is not a likely target, would be more frightened.
Sorry for the super long post. I really like this and hope you'll post more for us to see! As I've said above, your world intrigues me and I hope to learn more about it.
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